last updated May 6, 2020
poetry and fiction
Writing in the borderlands of the literary and speculative.
"I loved the imagery throughout 'How to Fix a Dancer When It Breaks' and the delicacy in the writing. The poem paint[s] shades of subtlety in the shifting emotional reactions to the difficult circumstances in which the narrator find [itself]…[explores] imagery of healing, whether the healing is considered positive or not…"
“All of our readers enjoyed 'Mandala.' The imagery, the tone, the voice, the intent—all of it was conveyed well. Most importantly, the poem was felt.”
“There was something about the way 'The Queen’s School for Girls' took an innocent question from a school girl … asking ‘What is the heart’s shape?’ and the teacher, instead of having an extremely philosophical question conversation with them, … takes them to see a cadaver and a real heart, brain. It had such a visceral punch to it. … We’re not just talking hearts and flowers and feelings here; we’re actually taking this into the dimension of what these organs look like and how we conceptualize that, and how we attach emotion. I’ve never quite seen a poem do something like that with such an innocuous question. I had no idea what I was going to see when I [read the poem] but it was full of marvels.”
“What struck me about the poem 'Xylophone' was how deftly the ending of the poem is handled, the skilled control of the language juxtaposes with the innocent crush and romance that takes place 'for a moment like this all summer. The poem builds momentum from the tension of the language describing the young man’s study of a girl. By the end we learn that: 'The music in her knowing laugh enough / to run the scales for him, to sing the encounter.' In my mind, as I read these lines, I heard 'of him' not 'for him,' and the poem suddenly held an entirely new depth. This is a poem about awakening to the hungers of the body, and how gentle we are with that hunger and with love when we are young.”